ARTICLES
2023-2019

'Emily Kame Kngwarreye: Earth Creation 1995-96', Important Australian and International Art, Menzies Art Brands, auction 29 Nov 2023 Click for pdf

'Emily Kame Kngwarreye: My Anooralya Story 1992', Important Australian and International Art, Menzies Art Brands, auction 29 Nov 2023 Click for pdf

'Emily Kame Kngwarreye: Desert Wildness, 1996', Important Australian and International Art, Menzies Art Brands, auction 23 Nov 2022 Click for pdf

‘Rover Thomas: Lally Creek, 1991', Important Australian and International Art, Menzies Art Brands, auction 23 Nov 2022 Click for pdf

Christmas Comes early for Menzies with a Visit from Saint (just-in-the) Nick (of-time) ... in the guise of Denis Savill (published in conjunction with Menzies Art Brands, auction 2 Apr 2022)

'Emily Kame Kngwarreye:
Of My Country, Alalgura I 1992', catalogue essay, Important Australian and International Art, Menzies Art Brands, auction 1 Dec 2021

‘Lin Onus: Moonlight (from the suite 'Twenty Four Hours at Numerili') 1993’, Australian and International Fine Art and Sculpture, Menzies Art Brands auction, 30 June 2021

‘Lin Onus: Moonlight at Numerili 2, 1993’, Australian and International Fine Art and Sculpture, Menzies Art Brands auction, 31 March 2021

‘Lin Onus: Mandiginingi, 1992’, Australian and International Fine Art and Sculpture, Menzies Art Brands auction, 20 Jul 2020

‘The world is finally woke to Aboriginal art: Sotheby’s move its sales from London to the Big Apple amid increasing contemporary art world buzz', Australian Art Sales Digest, 28 May 2019

‘Uta Uta Tjangala: Untitled, 1975’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands auction 28 Mar 2019

‘Lin Onus: Fish and Storm Clouds (Guyi Na Ngawalngawal) 1994’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands auction 28 Mar 2019
2018-2015

‘Emily Kame Kngwarreye: Desert Winter, 1994’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 26 Apr 2018


‘Danie Mellor: A Point of Order (New Worlds from Old Power), 2010’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 10 Aug 2017
'Demimonde Liaisons’, Portrait: Magazine of Australian and International Portraiture, National Portrait Gallery of Australia, No 57 Winter 2017

‘Rover Thomas: Dingo Holes at Bilaluna (Nyaama Dingo Holes), 1995’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 10 Aug 2017

‘Emily Kame Kngwarreye:
Untitled (Wildflower Dreaming)
1992’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 10 Aug 2017

‘Ginger Riley Munduwalawala: The Four Archers’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 11 May 2017

‘Emily Kame Kngwarreye:
Merne Alhalkere, 1993’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 9 Feb 2017

'The Patrick Corrigan Collection', Artlife, magazine of the Association of Australian and Decorative Fine Arts (ADFAS), Spring 2016, pp 28-32

‘Emily Kame Kngwarreye: Untitled, 1992’, catalogue essay, Australian and International Fine Art and Sculpture, Menzies Art Brands, auction 21 Sep 2016

'Money for Myth: Australian Character on the Market’, Portrait: Magazine of Australian and International Portraiture, National Portrait Gallery of Australia, No 50 Spring 2015

‘The Savage Sea’, Ellarose Savage profile, Art Collector, Issue 73, Jul-Sep 2015, pp. 150-155

‘Undiscovered 2015: Jakayu Biljabu', Art Collector, Issue 72, Apr–Jun 2015, pp. 112-113

‘Echoing Across the Pond: Gallery Gabrielle Pizzi, 1987–2014’, Art Monthly Australia, No 277 Mar 2015, pp. 22–25

‘50 Things Collectors Need to Know: Cool Hunter Predictions – Carlene West', Art Collector, Issue 71, Jan–Mar 2015, pp. 68-69

‘50 Things Collectors Need to Know: Curator’s Radar - James Tylor', Art Collector, Issue 71, Jan–Mar 2015, pp. 126-129
2014 & Older

‘Ellarose Savage’, NATSIAA’s Pick of the Crop, Art Collector, Issue 70, Oct–Dec 2014, pp. 124-125

‘NATSIAA’s Pick of the Crop: Sandra Hill", Art Collector, Issue 70, Oct-Dec 2014, pp. 126

‘NATSIAA’s Pick of the Crop: Iyawi Wikilyiri’, Art Collector, Issue 70, Oct–Dec 2014, pp. 127

‘Pen Power: Politics and Personae in the Portraiture
of TextaQueen’, Portrait: Magazine of Australian and International Portraiture,
National Portrait Gallery
of Australia, No 47 Spring/Summer 2014

‘Celestial Bodies, The Kate Challis RAKA Award’, Art Monthly Australia, Number 267, Mar 2014, pp. 42-45

'Aboriginal Contemporary Art in America: Crossing Cultures and Bridging Divides with an Ancestral Modern Aesthetic', CANVASS, ACAA, Issue 1, Spring 2013, pp. 12-25
Click for online article

'Deciphering the Code', Indigenous Art Code overview, Art Collector, Issue 66, Oct–Dec 2013, pp. 60-61

The 'I' in Indigenous Art', Portrait: Magazine of Australian and International Portraiture, National Portrait Gallery of Australia, No 46 Spring 2013
Click for pdf

'All Dressed Up', Portrait: Magazine of Australian and International Portraiture
National Portrait Gallery of Australia, No 45 Autumn/Winter 2013

'What Price Self?', Portrait: Magazine of Australian and International Portraiture, National Portrait Gallery of Australia, No 44 Summer 2012/2013
Click for pdf

'Colours express indigenous law and connection to country in contemporary Aboriginal works', Sydney Morning Herald (syndicated), 17 Dec 2012
Click for online article

'Power + Colour: Law and Country', The Melbourne Review, Issue 14 Dec 2012, p. 37

'Burning Issues: Value and Contemporary Australian Aboriginal Art', Art Monthly Australia, No 254 Oct 2012

'Ancestral Modern: An American Dream of Aboriginal Art', LOOK Magazine, Art Gallery of NSW Society, Sep 2012

‘How Indigenous art is changing Australian law’, Arts Hub, 12 Dec 2012 (subscribers only)

'Director Profile: Barry Keldoulis, GBK', Art Market Report, Issue 42, 2nd quarter 2012

'Director Profile: Paul Sumner, Mossgreen'
Art Market Report, Issue 42, 2nd quarter 2012
Click for pdf

'Director Profile: Turner Galleries, Perth'
Art Market Report, Issue 41, 1st quarter 2012
Click for pdf

An American Love Affair: Interview with John Wilkerson', Art Market Report, Issue 41, 1st quarter 2012

'Professor Margaret Levi:
Political Scientist and Cross Cultural Ambassador'
Sydney University Alumni Magazine, Nov 2011,
pp. 25–27

'Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years'
Art Monthly Australia, No 245 Nov 2011, pp. 48–49

'Darwin in the Dry, a Cultural Oasis', Qantas The Australian Way Magazine, Aug 2011, pp. 120–122

'Connection, Dislocation, Reclamation and Innovation: The 2010 National Aboriginal and Torres Strait Islander Art Awards', Art Monthly Australia, No 234 Oct 2010, pp. 11–14
Click for pdf

'Moral Lip Service: Government's Hard Hit at the Art Market is a Soft form of Redress', Sydney University Alumni Magazine, Autumn 2010, pp. 25–27

'The Crux of the Matter: Manipulating Cultural Property in Aboriginal Rights Debates', Art Monthly Australia, No 232 Aug 2010, pp. 51–55

‘Chic City: Edinburgh’, Luxury Travel Magazine, Issue 44, Spring 2010

‘Warakurna Artists’ Art Centre Profile, Australian Art Collector, Issue 50, Oct–Dec 2009, p. 227

‘Museum Piece to Minimalist Cool: Contemporary Aboriginal Art and Modernist Expression’, World of Antiques & Art, Issue 63, Jul–Dec 2002, pp. 112-116

‘Australia’s 50 Most Collectable Artists: Dorothy Napangardi', Australian Art Collector, Issue 19, Jan–Mar 2002, p. 89

‘Petyarre at Market’, Australian Art Collector,
Issue 16, Apr–Jun 2001, p. 86.

‘Australia’s 50 Most Collectable Artists: Paddy Bedford', Australian Art Collector, Issue 15, Jan–Mar 2001, p. 62

‘Elaine Pelot Kitchener – Black and/or White Photography?’, Active: Reactive, Literary Arts Review, Vol 1. No 2, Mar 1993, pp. 59-62
Pre-ArtiFacts
‘Works on Paper - collecting with confidence’, Art and Antiques in New South Wales, December 1996–April 1997, pp. 12-13
Click for pdf
‘Joy Hester's Frightened’, exhibition label for Review: Works by Women from the Art Gallery of New South Wales Collection, AGNSW, 1995
Click for pdf
‘Collection Management at The Art Gallery of New South Wales’, ARC, Newsletter of the Australian Registrars Committee, No 12, Summer, December 1994, pp. 5-6
‘Interior/Mieszkanie’, catalogue essay on photographic installation by Basia Sokolowska. Martin Browne Fine Art, Paddington. Exhibition reviewed by Elwyn Lynn, "Exposure to Contrast", The Weekend Review, The Australian, July 31 1993, p.10
Click for pdf